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qkg:contextText	Carpenter is one of the few modern artists whose subject is the contemplation of true evil, or to be more precise, the stance that people take when they come face to face with true evil. His characters never court evil, but simply recognize it, which is the moment of absolute horror. His films are filled with moments of paralyzing immobility, of dry-mouthed discomfort brought about by the realization that there is something new and awful in the world. (it)

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Carpenter is one of the few modern artists whose subject is the contemplation of true evil, or to be more precise, the stance that people take when they come face to face with true evil. His characters never court evil, but simply recognize it, which is the moment of absolute horror. His films are filled with moments of paralyzing immobility, of dry-mouthed discomfort brought about by the realization that there is something new and awful in the world. (it)

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