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The suspension of normal, linear narrative event in favor of a dreamlike, hallucinatory set of images that are taking place all over the fourth dimension is part of Lynch's appeal as a director, and part of what makes his films so frustrating to the filmgoer. His realization that there are two worlds, and a place to stand between them, is what contributes to his aura as a modern, twenty-first century initiate of the Mysteries, for that is what "mystery" films are: elucidations of the core Mystery behind reality. (it) |
