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qkg:contextText Without going into specifics, I can state that there is a structural similarity to The Sixth Sense. Here, however, the twist is not the whole point of the movie, and it is integrated more effectively into the overall story. If you figure out the so-called "surprise" in The Sixth Sense before the director wants you to, it's difficult to see that film as more than an overlong, uneven example of overt manipulation. The opposite is true of Fight Club, which possesses the depth and breadth to command the attention and respect of anyone who unveils the central conceit before it is explicitly revealed. It's also worth noting that this doesn't happen at the very end, so, while it is an important aspect of Fight Club, it does not dictate the movie's success or failure. (it)
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