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This attitude, expressed above, is difficult for some people to understand, they have been so thoroughly trained to accept the idea that art is what it is, as the only code for making, evaluating, and understanding contemporary art. Yet the very profound level of artistic energy that is currently expended in theā¦ performance field indicates that the major basis for modernist art is crumbling. We are indeed upon the threshold of a new art, and it is about time. The art that has been presented as new, it is becoming painfully clear, usually isn't new at all. For it continually relies upon the basic assumption that made all modern art possible in the first place, and such art is, of course, no longer new or modern. A truly new modern art will emerge when the basic theoretical foundation for the new (old) art of our time gives way. (en) |