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| so:source | http://www.theguardian.com/film/2008/feb/17/features.worldcinema |
| qkg:contextText | Setting aside the small gestures, the delicate observation of daily life and the sympathetic characterisation associated with neo-realism, La Dolce Vita is a large-scale satire with grand set pieces and forceful visual metaphors. Its target is a godless society that has become a kind of hell (there are pointed references to Dante) and it has rightly been compared with TS Eliot's depiction of a moribund post-First World War Europe in The Waste Land. (it) |
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