Mention130024
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so:text | The interlaced borders of the "Late-Roman" mosaic pavements and sarcophagus-edges, and even geometrical plane-patterns are introduced, and finally, throughout the Persian-Anatolian world, mobility and bizarrerie culminate in the Arabesque. This is the genuine Magian motive—anti-plastic to the last degree, hostile to the pictorial and to the bodily alike. Itself bodiless, it disembodies the object over which its endless richness of web is drawn. (en) |
so:isPartOf | https://en.wikiquote.org/wiki/Oswald_Spengler |
so:description | Gestalt und Wirklichkeit (1918) (en) |
so:description | Der Untergang des Abendlandes (en) |
qkg:hasContext | qkg:Context63691 |
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Triples where Mention130024 is the object (without rdf:type)
qkg:Quotation121588 | qkg:hasMention |
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