Mention130024

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so:text The interlaced borders of the "Late-Roman" mosaic pavements and sarcophagus-edges, and even geometrical plane-patterns are introduced, and finally, throughout the Persian-Anatolian world, mobility and bizarrerie culminate in the Arabesque. This is the genuine Magian motive—anti-plastic to the last degree, hostile to the pictorial and to the bodily alike. Itself bodiless, it disembodies the object over which its endless richness of web is drawn. (en)
so:isPartOf https://en.wikiquote.org/wiki/Oswald_Spengler
so:description Gestalt und Wirklichkeit (1918) (en)
so:description Der Untergang des Abendlandes (en)
qkg:hasContext qkg:Context63691
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