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From Alan, I learned to take a more instinctive and intuitive approach to pencil work. I used to let my mind get far too far ahead of my pencil, which can be productive, but removes the serendipitous switch of direction when the pencil and hand discover an idea the mind’s eye had missed. Drawing at the right speed is a sort of graphic contrapposto providing what I’d be tempted to call an “intuitional resilience” unobtainable with more energetic methods. I very much enjoyed working with him, a situation of symbiosis between enthusiasm and despair, the former because his work is just so good, the latter because his work is just so good. He is hard to keep up with, but then I believe he says the same of me. He is a dear friend and a wonderful artist. (en) |
