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I covered the walls of both basement rooms with Milino,a cheap substitute for canvas,stretched string backwards and forwards across the rooms and attached widths of packing-paper to them,so that they reached down to the floor and as far as the walls that I wanted to paint. I wanted to create a labyrinth which would somehow help to prevent a compositional idea from establishing itself all too quickly. I had the idea of working on all the walls pretty well at the same time,as if they were one large painting completely surrounding me. By constantly wandering in the labyrinth I sought to realise a form of “de-composition”. (en) |
