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At seventeen Hussain went on forty-day self-imposed retreat known as a chilla, where a musician practices in isolation until a state is reached in which the music and musician become one. The removal of everyday distractions, combined with single-minded concentration on the practice allows the musician to attain a state of Samadhi or meditative absorption, where one enters into a deeper relationship with one’s own music, and comes in direct contact with the source of music itself. Visions and hallucinations are not uncommon, where one’s musical ancestors may appear and offer encouragement or criticism. What is certain is that the musician makes remarkable progress in his craft. Hussain recalls his first Chilla in Hart’s drumming “I saw things in the music that I had never seen before, new combinations, new patterns”. Six month’s later, against his father’s advice, Zakir was ready to do a second chilla. This time around, the visions were more intense, and Hussain had a premonition that he would soon go to America. (en) |
