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It is my intention, never to start with modeling directly . In my view this is the task of the sculptor. I am modeling 'the surfaces'. Not only concerning the volumes, but also concerning the flat hues, in which I try to achieve the most subtle distinctions. I don't care for external effects. It is always the high values of the surfaces which create the painting. I always get an unbelievable rich variety of facets. Not only the colors, which thereby preserve its power, but also the color-hues are clearly distinguished from each other by no other means than the brush-stroke. (en) |
