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Chapter V Towers and Portals (en) |
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Chapter VI The Virgin of Chartres (en) |
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Chapter VIII The Twelfth Century Glass (en) |
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https://en.wikiquote.org/wiki/Henry_Adams
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Chapter IV Normandy and the Ile de France (en) |
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Chapter X The Court of the Queen of Heaven (en) |
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Chapter XII Nicolette and Marion (en) |
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Chapter III The Merveille (en) |
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Chapter XIII Les Miracles de Notre Dame (en) |
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The pathetic interest of the drama deepens with every new expression, but at least you can learn from it that your parents in the nineteenth century were not to blame for losing the sense of unity in art. As early as the fourteenth century, signs of unsteadiness appeared, and, before the eighteenth century, unity became only a reminiscence. The old habit of centralising a strain at one point, and then dividing and subdividing it, and distributing it on visible lines of support to a visible foundation, disappeared in architecture soon after 1500, but lingered in theology two centuries longer, and even, in very old-fashioned communities, far down to our own time; but its values were forgotten, and it survived chiefly as a stock jest against the clergy. The passage between the two epochs is as beautiful as the Slave of Michael Angelo; but, to feel its beauty, you should see it from above, as it came from its radiant source. Truth, indeed, may not exist; science avers it to be only a relation; but what men took for truth stares one everywhere in the eye and begs for sympathy. (en) |
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Chapter XV The Mystics (en) |
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Chapter IX The Legendary Windows (en) |
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Chapter VII Roses and Apses (en) |
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Chapter XI The Three Queens (en) |
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Mont Saint Michel and Chartres (1904) (en) |
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Chapter XIV Abélard (en) |
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Chapter I Saint Michiel de la Mer del Peril (en) |
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Chapter XVI Saint Thomas Aquinas (en) |
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Chapter II La Chanson de Roland (en) |
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