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You use things; the idea is, of course, to eliminate things . And just as fifteen or eighteen years ago I stretched out to get that, - put it in and took it out - to get that look in that's kid's eye and the way his mouth was open or wasn't - I mean a very particular kind of look - I'd do the same now. In other words, I can't find any freedom in abstract painting . I'am just as stuck with locations, a few areas of colour in relation to some kind of totality that I want, as I was before. And so the problem of figuration is somehow irrelevant to me. I think some of the best painting done in New York today is figuration, but it's not recognised as such.. .Well I think of my pictures as a kind of figuration.. .I think every good painter here in New York really paints a self-portrait.. (en) |