Mention380577

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so:text What I really want to do, it seems, is to paint a single form in the middle of a canvas. ..That's all a painter is, an image maker, is he not? And one would be a fool, some kind of fool, to want to paint a picture. The most powerful instinct is to paint a single form in its continuity, which is after all what a face is. This happens constantly on a picture. I remember last year I became so nervous about what I was doing that I finally reduce it down to the can on the palette with brushes in it. Well, that's real, tat can with brushes. And I painted the an with brushes sticking in it, and I couldn't tolerate it. I couldn't face it. It was as if it didn't contain enough of my thoughts or feelings about it.. ..I became signs. Exactly.. ..It seemed to become signs and symbols and I don't like signs. (en)
so:isPartOf https://en.wikiquote.org/wiki/Philip_Guston
so:description Quotes of Philip Guston (en)
so:description Interview with David Sylvester, BBC (March 1960) (en)
so:description 1950 - 1960 (en)
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