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Extreme states of being, whether individual or collective, were once purposefully motivated. Some of those purposes no longer have meaning . The well-being of communities is no longer sought through means of doubtful effectiveness, but directly, through action. Under these conditions, extreme states of being fell into the domain of the arts, and not without a certain disadvantage. Literature took the place of what had formerly been the spiritual life; poetry that of real states of trance. Art constituted a small free domain, outside action: to gain freedom it had to renounce the real world. This is a heavy price to pay, and most writers dream of recovering a lost reality. They must then pay in another sense, by renouncing freedom. (en) |
