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I do rough drawings. And then I work with concept artists who see my rough drawings and say “oh this is what you want!” And they generate, just gorgeous concept art, and then when people sign off on it, we really love everything, then you get a blueprint. You take the blueprint and go “oh I see.” And so the set decorator, costume designer, everyone gets it, and without slavishly copying it, although concept art and stills from our show usually match up, that’s fun. It’s all about control. (en) |
