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Every play which is produced—and for that matter, every book that is published, every picture which is exhibited, every film which is turned—is subjected to the Board of Censors… Romantic love in even its purest phases is not thought to be a fitting subject for consideration of citizens of a communist state;. . . the sex play is unknown in modern Russia… There remains as the ubiquitous theme for plays: revolution, with all the patriotic and nationalistic connotations which have grown up around it; heroism, sacrifice for the nation and class; consciousness of solidarity with one’s fellow proletarians; common suffering; great adventures with new ideas; great prospects for future machine age which is to be a sort of Russian-communist Americanism. (en) |
