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Die Walküre is endured by the average man because it contains four scenes for which he would sit out a Scotch sermon, or even a House of Commons debate. These are the love duet in the first act, Brunnhilde's announcement of death in the second, the ride of the Valkyries and the 'fire-charm' in the third. For them the ordinary playgoer endures hours of Wotan, with Christopher Sly's prayer in his heart. 'Would 'twere over!' Now, I am one of those elect souls who are deeply moved by Wotan. I grant you that as a long-winded, one-eyed gentleman backing a certain champion in a fight and henpecked out of his fancy because his wife objects to the moral character of the champion, he is a dreary person indeed . . . but to one who has understood all its beauties, its lofty aspirations, its tragedy, there is nothing trivial, nothing tedious in Die Walküre. (en) |
