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Writers, poets, musicians, filmmakers – painters too, even chance reader – may find that they are Spinozists; indeed, such a thing is more likely for them than for professional philosophers. It is a matter of one's practical conception of the “plan”. It is not that one may be a Spinozist without knowing it. Rather, there is a strange privilege that Spinoza enjoys something that seems to have been accomplished by him and no one else. He is a philosopher who commands an extraordinary conceptual apparatus, one that is highly developed, systematic, and scholarly; and yet he is the quintessential object of an immediate, unprepared encounter, such that a nonphilosopher, or even someone without any formal education, can receive a sudden illumination from him, a “flash”. Then it is as if one discovers that one is a Spinozist; one arrives in the middle of Spinoza, one is sucked up, drawn into the system or the composition. What is unique about Spinoza is that he, the most philosophic of philosophers teaches the philosopher how to become a non-philosopher. (en) |
