Mention533937

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so:text Whatever the apparent aim of the artist, he is called upon first to move the spectator, after having been himself struck by a design or color composition which may or may not have a relation to natural objects. His predilections, his preferences, crystallize afterwards in the choice of means to interpret those natural objects; these means are always, obligingly, of imaginary essence. (en)
so:isPartOf https://en.wikiquote.org/wiki/Ossip_Zadkine
so:description 1940s (en)
qkg:hasContext qkg:Context263114
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qkg:Quotation506060 qkg:hasMention
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