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If we want to understand music we have to go beyond understanding sound. We have to understand the transformations that sound can have if you play a different pitch. We have to arrange the sound in a sequencer that gives you rhythms, and so on, and then we want to identify some kind of musical grammar that we can use to... control the sequencer. So we have stacked structures that simulate the world. ...If you want to model a world of music you need to have the lowest level of the precepts, then the higher levels of mental simulations, which give the sequences... and the grammars of music... eyond this you have the conceptual landscape that you can use to describe the different styles of music. ...f you go up in the hierarchy, you get to more and more abstract models, more and more conceptual models, and more and more analytic models. ...hese are causal models... (en) |
