Mention610258
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| so:text | The secret of avoiding monotony with the four-bar module was to vary the accent and the weight of the bars to avoid giving a similar emphatic accent on the first bar of every group, as if one were accenting a downbeat. After Beethoven and before Brahms, perhaps the greatest master of the technique was Chopin, as one can see from the opening of the Nocturne in D flat Major, Op. 27, no. 2, of 1836 ... (en) |
| so:isPartOf | https://en.wikiquote.org/wiki/Charles_Rosen |
| so:description | The Romantic Generation (1995) (en) |
| qkg:hasContext | qkg:Context300448 |
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Triples where Mention610258 is the object (without rdf:type)
| qkg:Quotation578534 | qkg:hasMention |
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