Mention693018
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so:description | Chapter VII Roses and Apses (en) |
so:description | Chapter III The Merveille (en) |
so:text | The art is French, but the ideas may have come from anywhere, like the game of chess which the pilgrims or crusaders brought home from Syria. In the oriental game, the King was followed step by step by a Minister whose functions were personal. The crusaders freed the piece from control; gave it liberty to move up or down or diagonally, forwards and backwards; made it the most arbitrary and formidable champion on the board, while the King and the Knight were the most restricted in movement; and this piece they named Queen and called the Virgin. (en) |
so:description | Chapter VI The Virgin of Chartres (en) |
so:description | Chapter IX The Legendary Windows (en) |
so:description | Chapter I Saint Michiel de la Mer del Peril (en) |
so:description | Chapter II La Chanson de Roland (en) |
so:description | Chapter IV Normandy and the Ile de France (en) |
so:description | Chapter X The Court of the Queen of Heaven (en) |
so:description | Chapter XI The Three Queens (en) |
so:description | Chapter V Towers and Portals (en) |
so:description | Mont Saint Michel and Chartres (1904) (en) |
so:isPartOf | https://en.wikiquote.org/wiki/Henry_Adams |
qkg:hasContext | qkg:Context341299 |
so:description | Chapter VIII The Twelfth Century Glass (en) |
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qkg:Quotation657291 | qkg:hasMention |
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