rdf:type
|
qkg:Mention
|
so:text
|
The art of this poetry of love and hope which marked the mystics, lay of course in the background of shadows which marked the cloister. "Inter Vania nihil vanius est homine." Man is an imperceptible atom always trying to become one with God. If ever modern science achieves a definition of Energy, possibly it may borrow the figure:— Energy is the inherent effort of every multiplicity to become unity. Adam's poetry was an expression of the effort to reach absorption through love, not through fear, but to do this thoroughly he had to make real to himself his own nothingness; most of all to annihilate pride, for the loftiest soul can comprehend that an atom — say, of hydrogen,— which is proud of its personality, will never merge in a molecule of water. (en) |
so:description
|
Chapter XI The Three Queens (en) |
so:description
|
Chapter XIV Abélard (en) |
so:description
|
Chapter XV The Mystics (en) |
so:description
|
Chapter X The Court of the Queen of Heaven (en) |
so:description
|
Chapter V Towers and Portals (en) |
so:description
|
Chapter II La Chanson de Roland (en) |
so:description
|
Chapter VIII The Twelfth Century Glass (en) |
so:description
|
Chapter I Saint Michiel de la Mer del Peril (en) |
so:description
|
Chapter VI The Virgin of Chartres (en) |
so:description
|
Mont Saint Michel and Chartres (1904) (en) |
so:description
|
Chapter XIII Les Miracles de Notre Dame (en) |
so:description
|
Chapter XII Nicolette and Marion (en) |
so:isPartOf
|
https://en.wikiquote.org/wiki/Henry_Adams
|
so:description
|
Chapter VII Roses and Apses (en) |
so:description
|
Chapter III The Merveille (en) |
so:description
|
Chapter IX The Legendary Windows (en) |
so:description
|
Chapter IV Normandy and the Ile de France (en) |
Property |
Object |