Mention949137

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so:text The art of this poetry of love and hope which marked the mystics, lay of course in the background of shadows which marked the cloister. "Inter Vania nihil vanius est homine." Man is an imperceptible atom always trying to become one with God. If ever modern science achieves a definition of Energy, possibly it may borrow the figure:— Energy is the inherent effort of every multiplicity to become unity. Adam's poetry was an expression of the effort to reach absorption through love, not through fear, but to do this thoroughly he had to make real to himself his own nothingness; most of all to annihilate pride, for the loftiest soul can comprehend that an atom — say, of hydrogen,— which is proud of its personality, will never merge in a molecule of water. (en)
so:description Chapter XI The Three Queens (en)
so:description Chapter XIV Abélard (en)
so:description Chapter XV The Mystics (en)
so:description Chapter X The Court of the Queen of Heaven (en)
so:description Chapter V Towers and Portals (en)
so:description Chapter II La Chanson de Roland (en)
so:description Chapter VIII The Twelfth Century Glass (en)
so:description Chapter I Saint Michiel de la Mer del Peril (en)
so:description Chapter VI The Virgin of Chartres (en)
so:description Mont Saint Michel and Chartres (1904) (en)
so:description Chapter XIII Les Miracles de Notre Dame (en)
so:description Chapter XII Nicolette and Marion (en)
so:isPartOf https://en.wikiquote.org/wiki/Henry_Adams
so:description Chapter VII Roses and Apses (en)
so:description Chapter III The Merveille (en)
so:description Chapter IX The Legendary Windows (en)
so:description Chapter IV Normandy and the Ile de France (en)
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