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The link between Betty Mahmoody’s “Not Without My Daughter” and Azar Nafisi’s is the link between two phases and modes of labor migration, the moral salvation that “the West” provides, and imperial hubris. What is paramount in all of these is the denigration of local cultures as the site of actual or potential resistance to imperial domination. There cannot be any politics of resistance, aesthetics of emancipation, or prose and poetry of agential autonomy in history for people around the world—nothing except a Starbucks Coffee version of the so-called “Western classics” to go and save them. Interview with Znet. (en) |
