Mention959430

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so:text An artist, if good for anything, foresees what his public will see; and what his public will see is what he ought to have intended — the measure of his genius. If the public sees more than he himself did, this is his credit; if less, this is his fault. No matter how simple or ignorant we are, we ought to feel a discord or a harmony where the artist meant us to feel it, and when we see a motive, we conclude that other people have seen it before us, and that it must therefore have been intended. (en)
so:description Chapter V Towers and Portals (en)
so:description Mont Saint Michel and Chartres (1904) (en)
so:description Chapter IV Normandy and the Ile de France (en)
so:description Chapter III The Merveille (en)
so:description Chapter II La Chanson de Roland (en)
so:description Chapter VIII The Twelfth Century Glass (en)
so:description Chapter I Saint Michiel de la Mer del Peril (en)
so:description Chapter VI The Virgin of Chartres (en)
so:description Chapter VII Roses and Apses (en)
so:isPartOf https://en.wikiquote.org/wiki/Henry_Adams
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