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An artist, if good for anything, foresees what his public will see; and what his public will see is what he ought to have intended — the measure of his genius. If the public sees more than he himself did, this is his credit; if less, this is his fault. No matter how simple or ignorant we are, we ought to feel a discord or a harmony where the artist meant us to feel it, and when we see a motive, we conclude that other people have seen it before us, and that it must therefore have been intended. (en) |
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Chapter V Towers and Portals (en) |
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Mont Saint Michel and Chartres (1904) (en) |
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Chapter IV Normandy and the Ile de France (en) |
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Chapter III The Merveille (en) |
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Chapter II La Chanson de Roland (en) |
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Chapter VIII The Twelfth Century Glass (en) |
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Chapter I Saint Michiel de la Mer del Peril (en) |
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Chapter VI The Virgin of Chartres (en) |
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Chapter VII Roses and Apses (en) |
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https://en.wikiquote.org/wiki/Henry_Adams
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