|
qkg:contextText
|
Tony Scott's "Déjà Vu," part love story, part load of time-and-space-bending horse pucky, ranks among the director's more restrained pictures: There are relatively few noisy explosions, and the crazy patchwork cutting Scott is generally so fond of has been scaled back at least a smidge. But when it comes to making sense of the plot, your garden-variety suspension of disbelief — that handy, portable Snap-On tool that allows us to hang in there and enjoy an implausible fictional work — isn't going to do the trick. (it) |
